CBSE Class 12th Music Notes in Hindi
HINDUSTANI MUSIC VOCAL (Code – 034) Examination Structure for Assessment
Class XII
TOTAL: 100 Marks Time: 02 Hours
Theory 30 Marks
Practical 70 Marks
Time: 25-30 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
|
Sr. No |
Value Points |
Marks |
|
|
1. |
Choice Raga (Vilambit and Drut Khayal) |
10+5=15 |
|
|
2. |
Examiner’s Choice Ragas |
10 |
|
|
3. |
One Tarana and one Dhamar with dugun and Chaugun |
5+5=10 |
|
|
4. |
One Composition of Sadra or Dadra |
06 |
|
|
5. |
Folk song |
04 |
|
|
6. |
Identification of Ragas |
05 |
|
|
7. |
Reciting the Thekas of Prescribed Talas with hand beats in Thah and Dugun and Chaugun |
5+5=10 |
|
|
8. |
Tuning of Tanpura and questions regarding |
5 |
|
|
9. |
Practical file |
5 |
|
HINDUSTANI MUSIC VOCAL (Code – 034) Course Structure
Class XII
Theory -60 periods Time: 02 hours
TOTAL: 100 Marks
Marks – 30
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each unit.
|
No. |
Units |
No.of Periods |
Marks |
|
|
Units 1 |
12 |
|
|
|
|
1.1 |
Brief study of the following Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak. |
05 |
06 |
|
|
1.2 |
Brief study of the following Sadra, Dadra, Gram, Murchhana, Alap, Tana. |
07 |
||
|
Unit 2 |
||||
|
2.1 |
Study of the following Classification of Ragas- Anicent, Medieval and Modern |
06 |
06 |
|
|
2.2 |
Historical development of time theory of Ragas |
06 |
||
|
Unit 3 |
||||
|
3.1 |
Detail study of the following I. Sangeet Ratnakar II. Sangeet Parijat |
06 |
06 |
|
|
3.2 |
Life sketch and Cotribution of Abdul Karim Khan, Faiyaz Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit |
06 |
||
|
Unit 4 |
||||
|
4.1 |
Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun |
07 |
06 |
|
|
4.2 |
Study of various parts and tuning of Tanpura |
05 |
||
|
Unit 5 |
||||
|
5.1 |
Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them |
05 |
06 |
|
|
5.2 |
Writing in Notation the Compositions of Prescribed Ragas. |
07 |
||
Class XII
Practical – 160 periods Marks – 70
|
S.No |
Topics |
No. of periods |
|
1. |
Two Vilambit Khayal with simple elaborations and few in any two of the prescribed Ragas. |
25 |
|
2. |
One Drut Khyal woth simple elaboration and few tanas in the following Rgas- Bhairav, Bagesshri, Suddha Sarang and Malkauns. |
60 |
|
3. |
One Tarana and one Dhamar with dugun and chaugun in any one of the oprescribed Ragas. |
15 |
|
4. |
a. One composition of Sadra or Dadra b. Folk song. |
10 |
|
5. |
Ability to recognize the Ragas from the Phrases of swaras rendered by the examiner. |
10 |
|
6. |
Recitation of the Thekas of Jhaptala, Rupak, Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats. |
24 |
|
7. |
Knowledge of the structure and tuning of Tanpura. |
16 |
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