CBSE Class 9th Music Notes in Hindi Pdf
HINDUSTANI MUSIC VOCAL (Code – 034)
Examination Structure for Assessment (2024-25) Class IX
Theory: 30 Marks Total: 100 Marks
Practical Time: 02 Hours
Time: 15-20 Minutes for each candidate 50 Marks
- Examiners are requested to ask the questions directly related to the syllabus.
- Marks should be awarded in accordance with the marking scheme.
Distribution of Marks
Sr.No. | Value Points | Marks |
1. | Alankar as set to all prescribed Ragas and Talas | 4 |
2. | One Swar malika and one Lakshan Geet | 6 |
3. | Aaroha, Avaroha, Pakad and Drut Khayal with few Aalaps and Tanas in each of the following Ragas 1. Alhaiya Bilawal 2. Yaman 3. Kafi | 24 |
4. | Identification of prescribed Ragas from the passages of Swar as rendered by the examiner | 4 |
5. | Any three of the following: i. Devotional Song ii. Folk Song | 6 |
6. | Recitation of the Thekas of the prescribed Talas with dugun: 1. Dadra 2. Keharwa 3. Ektala 4. Teentala | 6
|
* Teachers will refer to the distribution of marks while examining the candidate for practical examination.
Internal Assessment 20Marks
Class IX Course Structure (2024-25)
Theory: 40 Periods
Time: 02 hours 30 Marks
- Questions to be set with internal choice covering the entire syllabus
Sr.No. | Units | Periods | Marks |
| Unit 1 | 10 | 6 |
1.1 | Definition of the following: Sangeet, Dhwani, Nada, Shruti, Swar, Saptak, Alankar,Thaat, Jati | 06
|
|
1.2 | Definition of the following: Laya, Tala, Matra, Sam, Tali, Khali, Vibhag, Avartan | 04
|
|
| Unit 2 | 08 | 06 |
2.1 | Define the following: Raga, Aroha, Avroha, Pakad, Vadi,Samvadi, Anuvadi, Vivadi. | 04
|
|
2.2 | Define the following: Swar malika, Lakshan Geet, Khayal. | 04
|
|
| Unit 3 | 04 | 04 |
3.1 | Notation System of Pt. V.D Paluskar and Pt. V.N. Bhatkhande | 04
|
|
| Unit 4 | 14 | 10 |
4.1 | Description of the following Ragas:Alhaiya Bilawal, Yaman, Kafi | 08
|
|
4.2 | Description and ability to do Tala- Notation of the following Talas: Teen tala, Ek tala, Keharwa, Dadra | 06
|
|
| Unit 5 | 04 | 04 |
5.1 | Ability to write notation of compositions | 04 |
|
Class – IX
Practical-100 Periods 50 Marks
Sr.No. | Topics | No. of periods |
1. | Four Alankar as set to all prescribed Ragas and Talas. | 10 |
2. | One Swar malika and one Lakshan Geet in each prescribed Raga. | 15 |
3. | Aaroha, Avroha, Pakad and Drut Khayal with few Alaps and Tanas in the following Ragas: Alhaiya Bilawal, Yaman and Kafi. | 45 |
4. | Identification of prescribed Ragas from the phrases of swar as rendered by the examiner. | 8 |
5. | · Devotional Song · Folk Song | 12 |
6. | Recitation of the Thekas of the following Talas with Dugun, keeping Tala with hand beats:Dadra, Keharwa, Teen tala,Ek tala, | 10 |
HINDUSTANI MUSIC VOCAL (2024-25)
(Code – 034) Class IX
Internal Assessment 20 Marks
1. Project–File 05 Marks
- Writing in notation the musical compositions of all Ragas prescribed in the syllabus Identifying the Tala of Musical compositions
- Drawing and labelling the various parts of Tanpura.
- Description and writing the notation of prescribed Talas with
Layakaries (Thah ,Dugun, Tigun, Chaugun)
- Identifying and interviewing neigh bourhood Artists.
- Knowledge about any one percussion artist
- Knowledge about any one percussion artist
2. Project 05 Marks
Suggestive Topics * Interrelationship of the following;
- Music and Physics (Sound – Frequency, vibration, pitch, intensity,timbre)
- Music and Mathematics (Mathematical Calculation of laya)
- Music and History (Development of Music during the medieval period)
- Music and Geography (Development of Music in varied cultural zones e.g. songs,instruments in mountainous or hilly areas)
- Music and languages – Dialects in folk Music
*Students may choose any one of the above topics or any other topic for project in consultation with the teacher.
3. Periodic practical Test, restricted to three in an academic year.10 Marks
Average of best two tests to be taken for final marks submission. Each
test will examine a candidate for one Raga from the syllabus, one
Devotional Song / Folk song and two Talas.
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